I know a lot of emcees that probably could have sonned that song. I sat on the bleachers and waited to see if somebody was gonna do it and nobody ever did it. It was time, time, time, time, time! Everything I said in that motherfucker is going on right now. TRHH: What led you to re-make O.C.’s classic record “ Time’s Up”?įong-Sai-U: Aw, man it was time. I didn’t give this joint to nobody because I want people to be surprised like, “holy shit!” This shit is two times harder than any of my shit you heard. A lot of people had Ballads already, you had it. You got two records out there so now I can go back and do videos, release singles, and put my feet up until next year. I took time out and made the other record. I pumped my brakes, slowed down, and did it differently. I was trying to get everything done in a month and it just didn’t add up. I was doing ‘em, and I got ‘em, but I never put ‘em out. It was like “promote it, drop it, do a video!” I was doing videos that looked like shit. I shot the video but it wasn’t what I wanted.
I got some singles on there, like the joint with Res. I might drop videos from this joint and Ballads. Let me give y’all something to hold on to ‘till next year. I still got gems on there that I could drop. I loved the album but I was switching PR people and went with the wrong PR person so basically the album just sat. TRHH: Why are you dropping this one so soon after Ballads of a Massacre was released?įong-Sai-U: Because with Ballads of a Massacre that was a big fuckin’ mess. Somebody might take a common sample and loop it over and over again and don’t put no beat to it. I was born in that cycle where you had to have an ear to make raw beats. The first thing I tell people is the only reason my beats are raw is because I was born in that cycle with the ASR-10. I could have did it before but I needed the right element.
That’s me calling my brother up and reaching out.
It ain’t like I’m trying to get somebody for a feature. With Prodigal it ain’t business, he’s my brother. My name is Fong-Sai-U and I didn’t want people thinking I was an offspring of the Wu. I always knew everybody but it was from a 5% standpoint and at the same time I didn’t wanna get branded. He put Tha Beggas on that first Killa Bee compilation and that was it because of business. Before Father Lord went to the essence RZA was about to put him on. I used to take Prodigal home from Father Lord house, rest in peace. You basically know everybody from coming back and forth. The Five Percenters in DC know the Five Percenters in New York. I know all the Wu, but I knew them before it was a Wu. How’d you link up with Prodigal Sunn for the song Enough?įong-Sai-U: Oh man, I knew Prodigal Sunn since I was 21. You heard the joint I did with Prodigal and shit? I just wanted to bring that raw element back.
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Plus you got all these niggas out here with cornball rap names and bullshit album titles. That’s how my lyrics is on this joint – raw – sharp. The second reason I titled it The Last Ronin is because everybody knows samurai’s got the sharp blades. That’s one reason I titled it The Last Ronin. You believe in what the next man saying but you don’t believe in yourself. The reason why I called it “The Last Ronin” is because a lot of people are out here believing this bullshit and all these illusions. TRHH: Explain the title of the new album, The Last Ronin.įong-Sai-U: The Last Ronin is like a samurai that believes in himself, to put it simply. Never one to hold his tongue Fong-Sai-U told The Real Hip-Hop his opinions on Maybach Music artists Meek Mill and Rick Ross, explained the origins of his relationship with the Wu-Tang Clan, and took us inside his new album, The Last Ronin. The album features appearances by Prodigal Sunn, Coopdeville, Quincy Banks, Ginger, Click2times, Rip Safron Masson, Alphonso Porter, Shakier, Dan-Igga, Ali Razor, and Artwork. The Last Ronin is an 18-track album produced entirely by Sai-U. After releasing his sophomore project Ballads of a Massacre in the middle of 2015, the artist formerly known as Divine has returned in less than a years time with a new album titled “ The Last Ronin”. emcee Fong-Sai-U is back and breathing more fire than before, both on and off the mic. With his high energy intact, Meek goes at Drake hard for biting other artist’s flows, paying people off, and the obvious ghostwriting scandal with Quentin Miller, where he even uses Q’s reference track as an interlude.D.C.
Meek Mill fires back at Drake with a 4-minute lyrical onslaught. It has been a week since Meek Mill nearly broke the Internet with his Twitter rant which included claims Drake did not write the verse on “R.I.C.O.” It has been 5 days since Drake first fired back at Meek with the track “Charged Up.” After Drizzy hit him again with “Back To Back,” the MMG rapper has finally released his own song in the heated rivalry.
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